Lacee began her dance training at the age of 3 at Barbara’s Conservatory of Dance located in Topeka, Kansas. Under the direction of Barbara Ebert, she joined the civic company, Ballet Midwest when she was 12. As a junior in high school, Lacee was a Topeka Performing Arts Center Young Artist of the Year scholarship recipient. She continued dancing with Ballet Midwest through college, when she was promoted to the Assistant Artistic Director. Lacee also trained with Sean Duus, Stefani Schrimpf, and Kimberly Cowen at the Kansas City Ballet as well as Krystyna & Jerel Hilding at the University of Kansas. Each summer for 10 years, Lacee attended Ballet Magnificat’s Summer Dance Intensive to study under the direction of Kathy Thibodeaux, Sol Nazario, and Jiri Sebastian Voborsky. Lacee was honored to dance in their pre-professional division several of those years, receiving multiple full merit scholarships and completing their teacher’s certification.

After graduating high school, Lacee attended the University of Missouri-Kansas City in their Conservatory of Music and Dance on scholarship, primarily studying under Paula Weber, Ronald Tice, Sabrina Madison-Canon, DeeAnna Hiett, Michael Simms, Jamal Story, and Gary Abbott. As a conservatory dancer, Lacee performed many classical and contemporary works by well-known guest artists and faculty members. While in college, she served as a leader for Campus Crusade for Christ. She received the honor of being asked to dance and share her testimony for thousands of college students at both the Denver Christmas Conference and the Big Break Conference. In May 2012, Lacee graduated with her Bachelor of Fine Arts in Dance with a ballet emphasis and a Business Administration minor.

Upon graduation, Lacee was invited to join Paradosi Ballet Company located in Washington State. For two seasons, she danced professionally and toured extensively with the company, both in the states and internationally. While on tour, Lacee was asked to teach many Master Classes offered by Paradosi in the cities they performed. Lacee’s degree in dance and teaching experience was highly regarded by Paradosi’s directors. They hired her to head the company’s school, Surrendered School of the Arts, both as Principal and as a primary instructor. Under her direction, the school doubled in size and expanded to five campuses. Her business minor also proved advantageous as she was employed as Assistant Business Manager. In the spring of 2014, Lacee was hired to tour with The Thorn Productions Tour Cast across the United States in their nationally recognized, multi-million dollar production. She also organized and led dance classes for the communities where The Thorn performed.

Lacee Ebert is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 5 of the ABT® National Training Curriculum.

Lacee is very excited to be in her hometown of Topeka to expand her career as director of Barbara’s Conservatory of Dance and of Ballet Midwest. She brings to Topeka many new and exciting ideas to enhance the professionalism of the school and the company. “I am thrilled to be able to use the knowledge I obtained from my degree in dance; to instill the invaluable skills I learned by teaching and choreographing in many studios across the nation; and to share my experience as a professional dancer with my students here in Topeka.”

Training
Barbara Ebert was born in Topeka, where she studied music and took her initial ballet training under June Horwitz. She continued her study of dance and received her early performing experience in Kansas City, Lawrence and Tulsa, Oklahoma, throughout her junior high and senior high school years. At the University of Utah, she trained in all major styles of dance with a major in ballet with an emphasis in choreography and teaching. The ballet program at the University of Utah is one of the top ten in the world and is of an extremely vigorous and professional nature. While at the University, Mrs. Ebert studied all major styles of dance. Supplementary classes equally important to a well-rounded teacher were included in her college training. Some of the most important, she feels, were dance analysis, teaching techniques, choreography, anatomy for dancers, lighting and production, contemporary trends in dance, pantomime, dance history, and French as well as a variety of classes in music, art, and theater. Out of Mrs. Ebert’s freshman class of approximately 200, only 7 were accepted to complete their degree. Earning her degree in 1973, Mrs. Ebert was the first ballet major allowed to complete her degree in three years. While attending college, she also performed for Ballet West and taught classes as a Teaching Assistant at the University for two years. In addition, she has studied with Dinna Bjourn (Royal Danish Ballet), John Callander (New Zealand Ballet), Eugene Collins (Ballet Russe), Bill Evans (Utah Repertory Dance Theatre), Phillip Keeler (San Francisco Ballet), Bruce Marks (Amerian Ballet Theatre), Toni Lander Marks (Royal Danish Ballet), Ruth Page (Ruth Page Ballet), Kathy Thibodeaux (Ballet Magnificat), Terry Thomas (Royal Winnepeg Ballet), and Andrea Vohdenal (Ballet Russe).

Students
Mrs. Ebert established a private dance studio, Barbara’s Conservatory of Dance, with students coming from all over NE Kansas to study. Through her fifty years of teaching dance in the Topeka area, Mrs. Ebert has had many students attend prestigious summer intensives, many with full merit scholarships. These include Alvin Ailey, Ballet Magnificat, Ballet West, Boston Ballet, Joffrey Ballet, Kansas City Ballet, Pacific Northwest Ballet, San Antonio Ballet, San Francisco Ballet, Tulsa Ballet, and many others. Many of her students have continued on in professional dance careers or with college degrees in dance. She has also been employed to teach ballet classes at Washburn University, Cair Paravel Latin School, and Topeka Latin School and is available for teaching Master Classes.

Inception of Ballet Midwest, Inc.
Because of the emerging potential in dancers who attended her private studio, Barbara’s Conservatory of Dance, and that which she saw in other community dancers, Mrs. Ebert with the help of family and interested friends, formed Ballet Midwest, Inc. in January 1977. “I danced and studied through my high school and college years with the dream of coming back to Topeka to develop a school and company where serious as well as casual dance students could receive the finest classical training. That dream has become a reality,” she said. Mrs. Ebert became Artistic Director of Ballet Midwest at its inception and continued to choreograph and stage for the company through it’s fortieth season in 2016-17. The company, now under the artistic director of Lacee Ebert, is run by a volunteer Board of Directors independently from Barbara’s Conservatory of Dance. Mrs. Ebert remains actively involved as an Artistic Director Emeritus. 

Choreography

Mrs. Ebert choreographed and directed the first Topeka production of the “Nutcracker Ballet” for Dance Arts of Topeka, Inc in 1974 and 1975. She also choreographed, directed, and performed in “Ballet for Children”, a lecture demonstration series that was taken to 26 elementary schools. Ballet Midwest repeated this series in 2000 and 2001. As Artistic Director, Mrs. Ebert was responsible for the overall artistry of the Company. She has choreographed or staged fifty-eight repertory pieces and ten full-length classics for Ballet Midwest. Assisted by company dancers, she also enjoys doing educational programs for interested groups.

Liturgical
Mrs. Ebert, over forty of her students and nine of her teachers have attended a summer intensive at Ballet Magnificat, America’s premiere Christian Ballet Company, in Jackson, Mississippi. Inspired by the company, Mrs. Ebert added nine levels of liturgical classes at Barbara’s Conservatory of Dance. These classes, as well as the studio’s touring company, Cleargold, have performed at area churches, nursing homes, and present a concert each Christmas and Easter that is open to the public.

Mrs. Ebert retired at the end of the 2017 season, but still enjoys teaching ballet and pas de deux two nights a week at Barbara’s Conservatory of Dance.

Bio to come.

Bio to come.

Keira Copeland began dancing at the age of three and quickly developed a deep love for the art form, as well as for using dance as a way to worship God. She received the majority of her training at Barbara’s Conservatory of Dance, where she grew up. While her primary focus has been ballet, Keira also trained in jazz, modern, lyrical, tap, Broadway jazz, partnering/pas de deux, and liturgical dance.

Since joining Ballet Midwest Keira has had the honor of performing in The Nutcracker each year, as well as in spring productions.

She furthered her training through multiple summer intensives with Ballet Magnificat, where she was awarded merit scholarships and participated in their Pre-Professional Program for two summers.

Keira is excited to return to the staff at Barbara’s Conservatory of Dance this year. She looks forward to sharing her passion with students and considers it a blessing to learn and grow alongside them.

In 2000, Christina began taking ballet and tap classes at Barbara’s Conservatory of Dance. Since then she has studied in various forms of dance, including ballet, pointe, tap, liturgical, jazz, lyrical, modern, and Broadway jazz. Christina has been an instructor for Barbara’s Conservatory of Dance since 2011.

Christina was accepted into the Ballet Midwest Company in 2008. During her time as a company member she served two years as a company representative to the Ballet Midwest board. Her time with Ballet Midwest provided her with the incredible experience of performing in several full-length classical ballets, including: The Nutcracker, Cinderella, Sleeping Beauty, Swan Lake, Romeo & Juliet, Billy the Kid, Coppelia, Giselle, and Don Quixote.

Since 2017, Christina has served as an Assistant Artistic Director for Ballet Midwest’s Nutcracker Ballet and several spring ballets. Under the leadership of Owner and Artistic Director, Lacee Sandgren, Christina choreographed and taught rehearsals for several productions. She is greatly looking forward to the next season and its anticipated excitement.

Christina graduated from Washburn University in 2017 with her Bachelor’s of Business Administration, majoring in Management, Marketing, & Entrepreneurship, and minoring in music. In 2019, she completed her Master’s of Business Administration. Currently, Christina is working to complete her Doctorate of Student Affairs from Kansas State University. Christina has been employed by Washburn University since 2017 as the Student Success Technology Administrator. She also enjoys teaching WU101: The Washburn Experience to incoming freshmen each fall semester.

Dance has taught Christina many life lessons through the years. Many of which have served her in every area of life. The most notable include: diligence, determination, respect, hard work, and creativity.

Alexandria Huskey began her dance training at Barbara’s Conservatory of Dance at the age of seven. She instantly fell in love with ballet and enjoyed performing in Ballet Midwest’s productions under the direction of Barbara Ebert. She has performed a number of leading roles, including Clara & Sugar Plum Fairy in Nutcracker, Juliet in Romeo & Juliet and the title role in Giselle. While in high school, Alexandria served as a Company Representative on the Ballet Midwest board, received the Melinda Oberhelman Award, as well as the TPAC Young Artist Award and Scholarship in the dance category. Alexandria has spent her summers studying at Kansas City Ballet, The Rock School for Dance Education, and Ballet Magnificat. During her second summer at Ballet Magnificat, she received a merit scholarship and was in their Pre-Professional Program.

Alexandria furthered her training at the University of Missouri-Kansas City’s Conservatory of Music and Dance. She studied closely with Paula Weber, David Justin, Sabrina Madison-Canon, DeeAnna Hiett, and Gary Abbott. While at UMKC, she was selected to represent the conservatory at two Kansas Dance Festivals and the American College Dance Association Festival. She also had the honor of dancing the role of the First Violin and Pas de Deux in Balanchine’s Concerto Barocco, set by Nilas Martins.  Alexandria graduated in May 2018 from UMKC with a Bachelor of Fine Arts in Dance and Choreography, and a minor in Business Administration.

After receiving her degree in dance, Alexandria moved to Hartford, Connecticut to dance professionally with Ballet Hartford. She had the opportunity to work closely with wonderful choreographers, including Silas Farley of New York City Ballet, and Michelle Thompson Ulerich of Ballet Austin. While in Connecticut, Alexandria also had the opportunity to co-found New England Ballet Collective. She enjoyed touring the New England area performing at festivals and serving as the treasurer for the company.

Upon returning to Kansas in 2020, Alexandria returned to teaching at Barbara’s Conservatory of Dance and resumed dancing with Ballet Midwest, under the direction of Lacee Sandgren. During the production of Don Quixote Alexandria started dating her now husband, Drew Huskey. Alexandria and Drew have enjoyed dancing several roles together and love being a part of Ballet Midwest. 

Teaching has always been a passion for Alexandria. She enjoyed teaching and assisting classes at Barbara’s Conservatory of Dance in high school. She continued to teach during her time in college, and even taught master classes while living in Connecticut. She is so happy to be back in the Midwest to share her passion of dance with her students.

In February of 2020, Alexandria went to New York City to participate in American Ballet Theatre’s teacher certification program. Alexandria Huskey is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 3 of the ABT® National Training Curriculum.

Maria began her dance training at Barbara’s Conservatory of dance at 4 years old, and hasn’t wanted to stop since. She loved the opportunity to learn a vast range of dance styles and perform with the Ballet Midwest Company. Her favorite performances were dancing Dream Clara in The Nutcracker and Mercedes in Don Quixote. Maria was also fortunate to receive the Most Improved Dancer Award and the TPAC Young Artist Award and Scholarship while in high school.

After high school, Maria continued her dance training at the University of Missouri-Kansas City where she obtained a BFA in Dance Performance and Choreography. Here she had the pleasure to perform various works by DeeAnna Heitt, Gary Abbott, Michael Blake, Tempe Ostrogen, and Karen Brown. 

Maria is a current Company Artist with City in Motion Dance Theater in Kansas City. She also enjoys performing in several freelance professional shows throughout the city. Her recent credits include: Prelude to Genesis 1, Open Stages at the J, Modern Night, Jingle! Holiday KC, and Worlds of Fun live entertainment. In addition, Maria has a huge passion for musical theater and has enjoyed performing with Topeka Civic Theater in West Side Story, and with Shawnee’s Theater in the Park in Anastasia. 

Maria has enjoyed teaching several different styles and showing students the wide range of ways in which they can use their passion for dance! She is also passionate about educating her students on the current professional landscape and how to put their best foot forward for any dance-related opportunity. She is thrilled to be able to come back and teach for her second season at her home away from home, Barbara’s Conservatory. She hopes to bring as much joy and love for dance to her students as they do to her.

In 1999 Madison began her ballet education at Barbara’s Conservatory of Dance and performed in Ballet Midwest’s Nutcracker as the Candy Cane Doll the following year. She has had various amounts of training in ballet, pointe, pas de deux, tap, lyrical, and liturgical.

In her formative years as a dancer and teacher she had the privilege of attending a Summer Dance Intensive by America’s Premiere Professional Christian Company, Ballet Magnificat! in 2011, 2012, and 2013. Years later she is still gleaning knowledge from her time there and implementing the technical expertise and life lessons she learned into her own classes. Her mission every single time she is in the studio is not only to produce dancers who are tenaciously pursuing excellence in the art, but to inspire an excellence in life that will help her students thrive outside of the classroom!

When she is not in the studio she enjoys traveling, cooking, teaching her dog Aggie dance steps, homeschooling her three kids, and long walks with her high school sweetheart and husband, Michael, whom she met through the studio! 

Madison is thrilled to be on staff for her sixteenth year at Barbara’s Conservatory and hopes to be a blessing to your student as they are to her. To God be the Glory!

Bio to come.

Bio to come.

Joining the teaching staff this year are several high school dancers who are all principal dancers in Ballet Midwest’s Company.

Lia Barry

Eva Ericson